Colour Screens

Every colour on this site opens the same way , full screen in one click, with image export at common presets or a custom size , but each one earns its place for a different reason. This page groups them by what they are actually good for, so you can find the right one without opening all twenty six.

Panel and pixel testing

• White Screen. Dead pixels and surface dust , the strongest contrast a screen can show.
• Black Screen. Backlight bleed, IPS glow and stuck or hot pixels.
• Red Screen. The red subpixel on its own, and a colour that preserves night vision.
• Green Screen. The green subpixel on its own, and the classic chroma key colour.
• Blue Screen. The blue subpixel on its own, and a cooler alternative for keying.
• Gray Screen. Panel uniformity, tint and colour banding.

Lighting and backdrops

• Beige Screen. A warmer, softer tone for video calls than plain white.
• Yellow Screen. A warm, high visibility background and a blue subpixel test in one.
• Coral Screen. A soft warm backdrop between beige and orange.
• Salmon Screen. A muted pink orange tone for backgrounds and photography.

Chroma key and production

• Green Screen. The standard chroma key colour for most keying software.
• Blue Screen. The traditional alternative when the subject already contains green.
• Magenta Screen. An uncommon but sometimes used key colour with no overlap with skin tones.

Every other colour

Less common test and background colours, each still with its own page: Orange, Pink, Purple, Cyan, Brown, Lime, Teal, Indigo, Violet, Gold, Silver, Maroon, Navy, Olive, Turquoise.

Not sure which one you need?

Checking a screen for faults? Start with white, then black, then the three primaries. Lighting a call or a photo? white or beige cover most cases. Setting up a chroma key? green unless your subject already contains green, in which case blue. For anything else, the groups above are a shortcut, not a rule , any colour on the site can be opened full screen or downloaded the same way.